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The Art Pieces



  1. BulletThree i-phone paintings (or i-phone + Blackberry and Android)

  2. -one is attendance driven

  3. -two are prefabs

  4. BulletTen light box paintings

  5. BulletTen segmented paintings

  6. BulletTen real paintings

  7. Bullet30 – 40 original prints

  8. BulletI will use all of my unique and organic “Csorba” painting techniques i.e. pigment transfer to plastic, cardboard, etc, bubble wrap frescos, plexiglas plasma technique, etc,.



Themes: focus on identity, appropriation, painting and photography.



  1. BulletReligion

  2. BulletGraffiti

  3. BulletSexuality

  4. BulletNeo-Pop Art

  5. BulletBurning Houses

  6. BulletElevated and Fallen Pop Icons (Lady Gaga, Mickey Rourke, etc),

  7. BulletMorphine Dreams

  8. BulletPin-ups and 20th mid century icons

  9. BulletEnvironmental themes “off the grid”, “on the grid” and “gridlock”, *etc



Wordplay



  1. BulletFaith

  2. BulletFake

  3. BulletFame

  4. BulletFabricated




  1. *note” bring toy cars into and on top of the grid. Create possible wall sculpture showing pollution, environmental destruction and time waste.





 

sketchbook:ideation

 

scsorba@telus.net   |   copyright © 2011 steven csorba. all rights reserved

The Digital Sketchbook: ideation


This gallery represents a stunning number of compositions based on the fragmentation grid and visual remix. (Some of the images are “valid” others are for test purposes only). Existing Csorba art and new representational images will be extended and energized via the remix and overlay with other images.


For example: the stand alone “burning house” painting gets metaphorically plugged into a symbolic power grid via the remix mash-up.  A visual vibration and movement of color and pattern occurs. The symbolism changes from isolation to connectedness. The fire is no longer organic, it becomes electronic.


Other images fall in and out of abstraction, representation and a new form of expressionism as fragmented geometric patterns are both released and obscured within the grid. Objects come alive and dance across the picture plane. Tempo is both synchronized and asymmetric in an atomic energy dance of color, shape and geometry.

Wordplay


The word “FAITH” is almost impossible to read up close. The closer you get to “technology” (i.e/ small smartphone screened background) the harder it is to see simple things.


When you move back and physically distance yourself from the “smartphone inspired grid” – you can easily read the words. This visual notion challenges our perception of the power of technology verses the power of organic experience.