The Project Overview
A process of making traditional and non traditional mixed media paintings
that are visually representational of a geometric pattern created by laying smart-phones on a grid.
The fragmented cells both obscure the image and unite them to varying degrees .
At the start of the art event, attendees will show up with one unique image on their smart-phones. These images will actually be smaller fragments of a much larger piece of artwork. The event will turn people and their smart-phones into tiny little (digital) brushes strokes – when brought together will help complete a beautiful work of art.
This art will transform itself into an ongoing slideshow and quicklime movie of moving images – underscoring the possibilities of our remix culture and face to face collaboration.
Many of the electronically generated images will actually be represented as traditional paintings throughout the gallery space.
The main show will take place at a single location – but all the art on display can be distributed and simultaneously viewed across North America via the smartphone distributed model.
Bringing the masses to art and requiring those attendees to come to a single event to create the final piece of Art – will change the way people look at art, connecting and technology forever.
Fragmentation and chaos will be overcome by order and unity that will inspire new levels of creative possibilities. (i.e. an endless cycle of organized chaos)
The Big Idea

Connecting people to art.
Mosaic of human expression.
Ultimate visual mash-up.
Puts the power of art making (assembly and the moment of realization) in the hands of everyday people.
Brings art to the masses - but requires those masses to come to a single event to create the final piece of Art. It's bigger than Andy Warhol and empowers people to connect through the arts and technology in a way that is far more meaningful than facebook.(i.e. technology and art bring people face to face not face to screen).
The project will turn people and their smart-phones into tiny little (digital) brushes strokes when brought together (at an art show, etc) will help complete a puzzle.
The Artshow Event

60 – 90 pieces of art.
Large museum space or pop up space
Media campaign and awareness
Fall of 2011.
Traveling show after that.
Distributed Art

Major Canadian and U.S. Cities
Art galleries.
Universities.
Concurrent fundraising event: across North America.
Flash art mobs.
Restaurants / public meeting spaces.
Businesses and retail events. Apple store, etc.
Art Thesis

From order to chaos to order.
Challenges perceptions of the world around us and art making.
By putting (a part of) the power of art making into the hands of people and technology, people will see their smart-phones and the collaborative use of technology in a new way.
Art changes the world again: forces us to see how our daily habits impact of way of utilizing content, knowledge etc,.
Challenges the empowerment that technology has to offers. Are we seeing the (whole) world we live in or just surfing/txting/facebooking through it? The internet give us access to more immediate content and this information empowers us. But is it a “fragmented empowerment”? Without experiencing the world first hand are we losing something? Are we getting more information but seeing and feeling less of the actual immediate world around us?
The show forces us to see the difference between fragmented images vs whole images. Rgb vs reflective images. “The fragmentation” begs us to ask “Are our perceptions and trust of our world being broken by technology or getting stronger for it?”
I’m using all means of art making and appropriation in an attempt to transgress the broadest possible comprehension of our world today. To achieve this I’m taping into our new system of communication (smart-phone screens) which has inspired an enlightened visual representation of fragmented images. The mosaic images and visual remix create a super-elevated model that helps explain the connection between art and the world. The smartphone screen grid used as a visual artistic metaphor represents a simple but powerful reflection of our world. Images fall in and out of abstraction, representation and a new form of expressionism.
Benefits

Bring awareness for the need to use technology as a driver to get people together.
Changes the way people look at art, connecting and technology forever.
Help break down barriers to collaboration as needed to solve critical human conditions, i.e. such as cancer.
Foster the incubation of social and business economic ideas.
Bring awareness to the danger and power of fragmented images and content.
We ALL have something to contribute however small or big.
Redefines “pop-art”.
Humanize digital art.
It will change the way people look at art and technology forever.
Inspires face to face collaboration.
Provides simple but powerful business applications that could be of interest to facebook and the like. A new model of meaningful advertising could revolutionize revenue models for online businesses.
Time Table

4-6 months. Fall of 2011.
Venue Possibilities

Enterprise Square. (Previous Art Gallery of Alberta venue).
Art gallery / Museum / Rennie THE WING SANG BUILDING
Commercial alternative pop-up space.
Thinking Big: Potential

Canada may finally gain a true international representation in the artworld - breaking through the perception barrier of only providing art that relates to Canadian heritage. We need to be able to play on a global art stage.
Exciting business applications based on the above would have a big impact on facebook, a vastly improved innovative online advertising model and the lotteries.
The Artwork

The artshow will have on display 3 iphone paintings, 10 traditional paintings, 10 fragmented paintings, and 10 painting on backlit monitors (painting on layered light), plus 40 original mono prints.
The work will focus on identity, appropriation, painting and photography. The subject matter will cover graffiti, sexuality, religion, neo-pop art surrealism, elevated and fallen icons (Lady Gaga, Mickey Rourke,etc), burning houses, morphine dreams, pin-ups and environmental themes.
scsorba@telus.net | copyright © 2011 steven csorba. all rights reserved